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Personally, I do not care for coppers, but I believe in being courteous to them at all times, so when Johnny Brannigan comes into Mindy’s restaurant one Friday evening and sits down in the same booth with me, because there are no other vacant seats in the joint, I give him a huge hello.

Furthermore, I offer him a cigarette and say how pleased I am to see how well he is looking, although as a matter of fact Johnny Brannigan looks very terrible, what with big black circles under his eyes and his face thinner than somewhat.

In fact, Johnny Brannigan looks as if he is sick, and I am secretly hoping that it is something fatal, because the way I figure it there are a great many coppers in this world, and a few less may be a good thing for one and all concerned.

But naturally I do not mention this hope to Johnny Brannigan, as Johnny Brannigan belongs to what is called the gunman squad and is known to carry a black-jack in his pants pocket and furthermore he is known to boff guys on their noggins with this jack if they get too fresh with him, and for all I know Johnny Brannigan may consider such a hope about his health very fresh indeed.

Now the last time I see Johnny Brannigan before this is in Good Time Charley Bernstein’s little joint in Forty-eighth Street with three other coppers, and what Johnny is there for is to put the arm on a guy by the name of Earthquake, who is called Earthquake because he is so fond of shaking things up.

In fact, at the time I am speaking of, Earthquake has this whole town shaken up, what with shooting and stabbing and robbing different citizens, and otherwise misconducting himself, and the law wishes to place Earthquake in the electric chair, as he is considered a great knock to the community.

Now the only reason Brannigan does not put the arm on Earthquake at this time is because Earthquake picks up one of Good Time Charley Bernstein’s tables and kisses Johnny Brannigan with same, and furthermore, Earthquake outs with the old equalizer and starts blasting away at the coppers who are with Johnny Brannigan, and he keeps them so busy dodging slugs that they do not have any leisure to put the arm on him, and the next thing anybody knows, Earthquake takes it on the lam out of there.

Well, personally, I also take it on the lam myself, as I do not wish to be around when Johnny Brannigan comes to, as I figure Johnny may be somewhat bewildered and will start boffing people over the noggin with his jack thinking they are all Earthquake, no matter who they are, and I do not see Johnny again until this evening in Mindy’s.

But in the meantime I hear rumours that Johnny Brannigan is out of town looking for Earthquake, because it seems that while misconducting himself Earthquake severely injures a copper by the name of Mulcahy. In fact, it seems that Earthquake injures him so severely that Mulcahy hauls off and dies, and if there is one thing that is against the law in this town it is injuring a copper in such a manner. In fact, it is apt to cause great indignation among other coppers.

It is considered very illegal to severely injure any citizen in this town in such a way as to make him haul off and die, but naturally it is not apt to cause any such indignation as injuring a copper, as this town has more citizens to spare than coppers.

Well, sitting there with Johnny Brannigan, I get to wondering if he ever meets up with Earthquake while he is looking for him, and if so how he comes out, for Earthquake is certainly not such a guy as I will care to meet up with, even if I am a copper.

Earthquake is a guy of maybe six foot three, and weighing a matter of two hundred and twenty pounds, and all these pounds are nothing but muscle. Anybody will tell you that Earthquake is one of the strongest guys in this town, because it seems he once works in a foundry and picks up much of his muscle there. In fact, Earthquake likes to show how strong he is at all times, and one of his ways of showing this is to grab a full-sized guy in either duke and hold them straight up in the air over his head.

Sometimes after he gets tired of holding these guys over his head, he will throw them plumb away, especially if they are coppers, or maybe knock their noggins together and leave them with their noggins very sore indeed. When he is in real good humour, Earthquake does not think anything of going into a night club and taking it apart and chucking the pieces out into the street, along with he owner and the waiters and maybe some of the customers, so you can see Earthquake is a very high-spirited guy, and full of fun.

Personally, I do not see why Earthquake does not get a job in a circus as a strong guy, because there is no percentage in wasting all this strength for nothing, but when I mention this idea to Earthquake one time, he says he cannot bear to think of keeping regular hours such as a circus might wish.

Well, Johnny Brannigan does not have anything to say to me at first as we sit there in Mindy’s, but by and by he looks at me and speaks as follows:

‘You remember Earthquake?’ he says. ‘You remember he is very strong?’

‘Strong?’ I say to Johnny Brannigan. ‘Why, there is nobody stronger than Earthquake. Why,’ I say, ‘Earthquake is strong enough to hold up a building.’

‘Yes,’ Johnny Brannigan says, ‘what you say is very true. He is strong enough to hold up a building. Yes,’ he says, ‘Earthquake is very strong indeed. Now I will tell you about Earthquake.’

It is maybe three months after Earthquake knocks off Mulcahy [Johnny Brannigan says] that we get a tip he is in a town by the name of New Orleans, and because I am personally acquainted with him, I am sent there to put the arm on him. But when I get to this New Orleans, I find Earthquake blows out of there and does not leave any forwarding address.

Well, I am unable to get any trace of him for some days, and it looks as if I am on a bust, when I happen to run into a guy by the name of Saul the Soldier, from Greenwich Village. Saul the Soldier winds up in New Orleans following the horse races, and he is very glad indeed to meet a friend from his old home town, and I am also glad to meet Saul, because I am getting very lonesome in New Orleans. Well, Saul knows New Orleans pretty well, and he takes me around and about, and finally I ask him if he can tell me where Earthquake is, and Saul speaks as follows:

‘Why,’ Saul says, ‘Earthquake sails away on a ship for Central America not long ago with a lot of guys that are going to join a revolution there. I think,’ Saul says, ‘they are going to a place by the name of Nicaragua.’

Well, I wire my headquarters and they tell me to go after Earthquake no matter where he is, because it seems the bladders back home are asking what kind of a police force do we have, anyway, and why is somebody not arrested for something.

I sail on a fruit steamer, and finally I get to this Nicaragua, and to a town that is called Managua.

Well, for a week or so I knock around here and there looking for Earthquake, but I cannot find hide or hair of him, and I am commencing to think that Saul the Soldier gives me a bum steer.

It is pretty hot in this town of Managua, and of an afternoon when I get tired of looking for Earthquake I go to a little park in the centre of the town where there are many shade trees. It is a pretty park, although down there they call it a plaza, and across from this plaza there is a big old two-story stone building that seems to be a convent, because I see many nuns and small female kids popping in and out of a door on one side of the building, which seems to be the main entrance.

One afternoon I am sitting in the little plaza when a big guy in sloppy white clothes comes up and sits down on another bench near me, and I am greatly surprised to see that this guy is nobody but Earthquake.

He does not see me at first, and in fact he does not know I am present until I step over to him and out with my jack and knock him bow-legged; because, knowing Earthquake, I know there is no use starting out with him by shaking hands. I do not boff him so very hard, at that, but just hard enough to make him slightly insensible for a minute, while I put the handcuffs on him.

Well, when he opens his eyes, Earthquake looks up at the trees, as if he thinks maybe a coconut drops down and beans him, and it is several minutes before he sees me, and then he leaps up and roars, and acts as if he is greatly displeased. But then he discovers that he is handcuffed, and he sits down again and speaks as follows:

‘Hello, copper,’ Earthquake says. ‘When do you get in!’

I tell him how long I am there, and how much inconvenience he causes me by not being more prominent, and Earthquake says the fact of the matter is he is out in the jungles with a lot of guys trying to rig up a revolution, but they are so slow getting started they finally exasperate him, and he comes into town.

Well, finally we get to chatting along very pleasant about this and that, and although he is away only a few months, Earthquake is much interested in what is going on in New York and asks me many questions, and I tell him that the liquor around town is getting better.

‘Furthermore, Earthquake,’ I say, ‘they are holding a nice warm seat for you up at Ossining.’

‘Well, copper,’ Earthquake says, ‘I am sorry I scrag Mulcahy, at that. In fact,’ he says, ‘it really is an accident. I do not mean to scrag him. I am aiming at another guy, copper,’ he says. ‘In fact,’ he says, ‘I am aiming at you.’

Now about this time the bench seems to move from under me, and I find myself sitting on the ground, and the ground also seems to be trying to get from under me, and I hear loud crashing noises here and there, and a great roaring, and at first I think maybe Earthquake takes to shaking things up, when I see him laid out on the ground about fifty feet from me.

I get to my pins, but the ground is still wobbling somewhat and I can scarcely walk over to Earthquake, who is now sitting up very indignant, and when he sees me he says to me like this:

‘Personally,’ he says, ‘I consider it a very dirty trick for you to boff me again when I am not looking.’

Well, I explain to Earthquake that I do not boff him again, and that as near as I can figure out what happens is that we are overtaken by what he is named for, which is an earthquake, and looking around and about, anybody can see that this is very true, as great clouds of dust are rising from piles of stone and timber where fair-sized buildings stand a few minutes before, and guys and dolls are running every which way.

Now I happens to look across at the convent, and I can see that it is something of a wreck and is very likely to be more so any minute, as the walls are teetering this way and that, and mostly they are teetering inward. Furthermore, I can hear much screeching from inside the old building.

Then I notice the door in the side of the building that seems to be the main entrance to the convent is gone, leaving the doorway open, and now I must explain to you about this doorway, as it figures quite some in what later comes off. It is a fairly wide doorway in the beginning with a frame of heavy timber set in the side of the stone building, with a timber arch at the top, and the wall around this doorway seems to be caving in from the top and sides, so that the doorway is now shaped like the letter V upside down, with the timber framework bending, instead of breaking.

As near as I can make out, this doorway is the only entrance to the convent that is not closed up by falling stone and timber, and it is a sure thing that pretty soon this opening will be plugged up, too, so I speak to Earthquake as follows:

‘Earthquake,’ I say, ‘there are a lot of nuns and kids in this joint over here, and I judge from the screeching going on inside that some of them are very much alive. But,’ I say, ‘they will not be alive in a few minutes, because the walls are going to tip over and make jelly of them.’

‘Why, yes,’ Earthquake says, taking a peek at the convent, ‘what you say seems reasonable. Well, copper,’ he says, ‘what is to be done in this situation?’

‘Well,’ I say, ‘I see a chance to snatch a few of them out of there if you will help me. Earthquake,’ I say, ‘I understand you are a very strong guy?’

‘Strong?’ Earthquake says. ‘Why,’ he says, ‘you know I am maybe the strongest guy in the world.’

‘Earthquake,’ I say, ‘you see the doorway yonder? Well, Earthquake, if you are strong enough to hold this doorway apart and keep it from caving in, I will slip in through it and pass out any nuns and kids that may be alive.’

‘Why,’ Earthquake says, ‘this is as bright an idea as I ever hear from a copper. Why,’ he says, ‘I will hold this doorway apart until next Pancake Tuesday.’

Then Earthquake holds out his dukes and I unlock the cuffs. Then he runs over to the doorway of the convent, and I run after him.

This doorway is now closing in very fast indeed, from the weight of tons of stones pressing against the timber frame, and by the time we get there the letter V upside down is so very narrow from top to bottom that Earthquake has a tough time wedging himself into what little opening is left.

But old Earthquake gets in, facing inward, and once in, he begins pushing against the door-frame on either side of him, and I can see at once how he gets his reputation as a strong guy. The doorway commences to widen, and as it widens Earthquake keeps spraddling his legs apart, so that pretty soon there is quite a space between his legs. His head is bent forward so far his chin is resting on his wishbone, as there is plenty of weight on Earthquake’s neck and shoulders, and in fact he reminds me of pictures I see of a guy by the name of Atlas holding up the world.

It is through the opening between his spraddled-out legs that I pop, looking for the nuns and the kids. Most of them are in a big room on the ground floor of the building, and they are all huddled up close together screeching in chorus.

I motion them to follow me, and I lead them back over the wreckage, and along the hall to the spot where Earthquake is holding the doorway apart, and I wish to state at this time he is doing a very nice job of same.

But the weight on Earthquake’s shoulders must be getting very hefty indeed; because his shoulders are commencing to stoop under it, and his chin is now almost down to his stomach, and his face is purple.

Now through Earthquake’s spraddled-out legs, and into the street outside the convent wall, I push five nuns and fifteen female kids. One old nun refuses to be pushed through Earthquake’s legs, and I finally make out from the way she is waving her hands around and about that there are other kids in the convent, and she wishes me to get them, too.

Well, I can see that any more delay is going to be something of a strain on Earthquake, and maybe a little irritating to him, so I speak to him as follows:

‘Earthquake,’ I say, ‘you are looking somewhat peaked to me, and plumb tired out. Now then,’ I say, ‘if you will step aside, I will hold the doorway apart awhile, and you can go with this old nun and find the rest of the kids.’

‘Copper,’ Earthquake says, speaking from off his chest because he cannot get his head up very high, ‘I can hold this doorway apart with my little fingers if one of them is not sprained, so go ahead and round up the rest.’

So I let the old nun lead me back to another part of the building, where I judge she knows there are more kids, and in fact the old nun is right, but it only takes one look to show me there is no use taking these kids out of the place.

Then we go back to Earthquake, and he hears us coming across the rubhish and half-raises his head from off his chest and looks at me, and I can see the sweat is dribbling down his kisser and his eyes are bugging out, and anybody can see that he is quite upset. As I get close to him he speaks to me as follows:

‘Get her out quick,’ he says. ‘Get the old doll out.’

So I push the old nun through Earthquake’s spraddled-out legs into the open, and I notice there is not as much space between these legs as formerly, so I judge the old mumblety-pegs are giving out. Then I say to Earthquake like this:

‘Well, Earthquake,’ I say, ‘it is now time for you and me to be going. I will go outside first,’ I say, ‘and then you can ease yourself out, and we will look around for a means of getting back to New York, as headquarters will be getting worried.’

‘Listen, copper,’ Earthquake says, ‘I am never going to get out of this spot. If I move an inch forward or an inch backward, down comes this whole shebang. But, copper,’ he says, ‘I see before I get in here that it is a hundred to one against me getting out again, so do not think I am trapped without knowing it. The way I look at it,’ Earthquake says, ‘it is better than the chair, at that. I can last a few minutes longer,’ he says, ‘and you better get outside.’

Well, I pop out between Earthquake’s spraddled-out legs, because I figure I am better off outside than in, no matter what, and when I am outside I stand there looking at Earthquake and wondering what I can do about him. But I can see that he is right when he tells me that if he moves one way or another the cave-in will come, so there seems to be nothing much I can do.

Then I hear Earthquake calling me, and I step up close enough to hear him speak as follows:

‘Copper,’ he says, ‘tell Mulcahy’s people I am sorry. And do not forget that you owe old Earthquake whatever you figure your life is worth. I do not know yet why I do not carry out my idea of letting go all holds the minute you push the old nun out of here, and taking you with me wherever I am going. Maybe,’ he says, ‘I am getting soft-hearted. Well, good-bye, copper,’ he says.

‘Good-bye, Earthquake,’ I say, and I walk away.

So [Johnny Brannigan says], now you know about Earthquake.

‘Well,’ I say, ‘this is indeed a harrowing story, Johnny. But,’ I say, ‘if you leave Earthquake holding up anything maybe he is still holding it up, because Earthquake is certainly a very strong guy.’

‘Yes,’ Johnny Brannigan says, ‘he is very strong indeed. But,’ he says, ‘as I am walking away another shock hits, and when I get off the ground again and look at the convent, I can see that not even Earthquake is strong enough to stand off this one.’